Showing posts with label fiber. Show all posts
Showing posts with label fiber. Show all posts

Monday, February 10, 2014

7 reasons saving things is not hoarding

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fiber necklace from that recycled sweater yarn
I have met many artists who collect materials for their work and end up with an overwhelming stash that borders on hoarding. I may or may not have such a stash of supplies, but I do know that there is a big difference between keeping things that may prove useful to your art and keeping things that have no use or value (hoarding).

I never thought that I was sentimental, but I have discovered that I save things because I want to make use of them. I save gifts that I may never use or wear because I feel the givers intentions of kindness are still held within the object and to throw it away would somehow feel hurtful. So, I keep it with the intention of reusing the materials. [reason #1] I do feel that all the objects I save can be given a new life.

I saved the first sweaters I ever bought for myself with money I earned form my first job at Stewart Photography while I was a senior in high school. I wore those sweaters out, but I couldn't bear to throw them away, so I decided to unravel (or is it ravel?) the yarn to reuse in something new. Just the process of pulling the sweater apart and rolling all that yarn into a ball was cathartic and relaxing. [reason #2] Honestly, knitting and other fiber arts are very therapeutic.

In high school I claimed my dads tattered old cashmere overcoat that he had when he was in high school. It was ripped up the back and frayed at every edge. My dad told me how he remembered the day he tried it on and his dad purchased it for him. I can't remember the rest of the story, but [reason #3] I remember feeling a connection and that it felt important to honor the memory in the coat. I cut the coat shorter because so much of the fabric was worn out. I repaired the rips in the lining and then added a deep red velvet (recycled from an old dress) to the cuffs and the collar. I was so proud of that coat and wore it all the time - in fact I still have it hanging in my closet. And every time I wear the coat I feel a connection to my dad and grandfather.
My daughter posing with the altered coat - it's difficult to see the burgundy velvet...


The more I collect materials to work with, the more I realize that reusing and recycling fabrics from previously used and loved items is an important part of my work. [reason #4] They add more meaning to my work. Even the current abstract embroidery work I'm doing has fibers and fabrics recycled from old bed covers, pillowcases, and threads from my own projects.

Community by Kelly Darke - embroidery on cotton


The more I think about the direction of my work and wonder where it all started I realize I've always been saving and collecting. When I was a kid I collected all kinds of fabric, yarn, and things. I didn't know how to sew very well, but I would make my own clothes. [reason #5] The freedom to experiment with materials was a great way for me to build my creative problem-solving skills.  One of my favorite pieces that I made was a patchwork wrap skirt that I made with pieces recycled from a worn out favorite plaid shirt, part of a t-shirt from a friend, and other various pieces that I had saved from other projects. I used to wear the skirt in the summer over a pair of shorts or leggings - I loved it.

the original cards I made
a very small portion of my stash
I also had bags of string, yarn, and cones of string for weaving (still do). I didn't know how to knit or weave at the time. I barely knew how to crochet. My older cousin had given me a spool of string and showed me how to make a crochet chain using my fingers. So, I made a lot of really long chains. At some point, my mom gave me a craft magazine with an article about card weaving, which was so inspiring! [reason #6] The support from my mom also gave me confidence to continue working on projects even when they didn't always turn out. I took some old card stock and cut into into squares, punched four holes in each, and started weaving.
ring made with woven gold wire

The first thing I made with that was a small pocket size bag with a strap that I painted with swirls and smiley faces. In college, I purchased the book, Card Weaving, by Candace Crockett and wove with metal wire.

I've since learned how to knit, weave, crochet, sew, paint, print, …. I am an artist - a maker - I am constantly making things and thinking of new things to make. I still use recycled fabric and yarn in my art today and it is often from personal source and contains a lot of meaning or emotion. As an art therapist, I continue to study the relationship of fiber art and emotions - our connection to the texture and memory of our fiber objects from clothing to soft toys. [reason #7] I also share my knowledge and techniques with other artists and therapists in online workshops. My early obsession with fiber has grown up a bit and is even more curious.

What do you do with your favorite old sweater? or that tattered old baby blanket? Tell me your ideas.

Thursday, August 29, 2013

goodies in the mail!!

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I opened the mail today to find this bag of fiber goodies! Over at my Stitch Therapy online workshop on FAMM (Fiber Art and Mixed Media) website a few members participated in an exchange of scraps to inspire each other. I can't wait to incorporate some of these pieces into my work. The workshop has been such a great experience for me, and I've thoroughly enjoyed meeting everyone who has joined. There is still time to sign up for this workshop. The last to do register is September 30th. It is divided into four sections and designed for you to work at your own pace. The conversations developing on the discussion board have been inspiring. All are welcome to join us.


Wednesday, August 21, 2013

my inspiration board on Pinterest

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I love the variety of styles and media that I see on Pinterest - it's amazing! So much inspiration is there.... I know some artists don't like to use Pinterest because of copyright issues, but if you put your art online anywhere people will be able to see and take the file and post it somewhere. I have found that there are way more good people than bad. I've linked the picture to my Inspiration board on Pinterest if you're interested : )


Monday, August 12, 2013

my Daily Visual Journal, minus a few days...

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I have another blog called Daily Visual Journal. The idea started in 2009 when I was having a lot of trouble finding time to work on my art and not knowing what direction to take. Like many artists, I have a lot of interests and not a lot of time. I've always liked the idea of a journal, or diary, but recording the events of the day seemed like a waste of time to me until I realized I could record things visually. I decided to start creating a small piece of art everyday to record a part of the day or a feeling from the day. Sometimes, the journal pages were a quick scribble because I was tired and didn't have time to make anything better. Sometimes, I would take an hour or more working on a multilayer collage with meaningful images and elements. I did this everyday for a year and a half. The intention was to get myself back into the habit of making art. And it worked. I have been much more dedicated to my art practice and it feels like a great accomplishment. I've been consistent with producing work and showing at galleries, although I would like to produce work more quickly but I can only stitch so fast.


So, after a while my Daily Visual Journal started to feel like a chore. I needed all the extra time in my studio to work on fiber pieces, and making a journal piece just so I wouldn't miss a day felt inauthentic and wasn't enjoyable. I even tried to create videos of the process, which ended up taking more time and completely took away the fun. So I stopped making those. I have decided that even though I really like the process of creating the journal pages every day, I'm not going to worry about a few days, weeks, or months that I miss. It's not a big deal.



In the beginning of this year, 2013, I created (actually finished it since I had been working on on and off all 2012) my first Daily Visual Journal ebook of 5 techniques that I have used in my journal. I made a version of that ebook that is just the .pdf, images without videos. I also started a new website to showcase other artists working on daily projects. My intention is to interview and show the work of artists - I haven't started that yet. So, if you have suggestions of artists you'd like to see featured there, please let me know. Daily projects are so great for setting the habit of creating without waiting for inspiration, but if you're busy making other art, don't worry about missing a few days.

Monday, July 22, 2013

Work in progress - embroidery

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I am working on a series of 8x8 inch embroidery "bursts" like this one. I have also started a 50x59 inch burst embroidery - that might take a while...



Friday, June 14, 2013

String Theory opening reception

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Artists showing:
Laura Beyer - http://www.laurabeyer.com
Nicki Butler - http://www.nickibutler.com
Carolyn Catlos - http://www.carolyncatlos.tumblr.com
Kelly Darke - http://www.kellydarke.com
Levon Kafafian - http://www.urbanfolktales.tumblr.com
Liz Lewis - http://www.lizlewisfiberarts.bugcartel.com
Sheila Palmer - http://www.quetarahe.com
Amanda Thatch - http://www.amandathatch.com



Friday, June 07, 2013

String Theory at DC3 Gallery - a fiber art group exhibition

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I'm very excited to be part of another group fiber art show in Detroit - String Theory - presented by the Detroit Creative Corridor Center located at 485 W. Milwaukee Ave. Suite 100c, Detroit, MI 48202. The opening reception will be Wednesday June 12th, 2013 from 5:30pm - 8:30pm. The show will be up until July 19th during regular business hours or by appointment

Directly from the Facebook event:

The art and practice of working with various plant and animal fibers is among the oldest art forms, but it hasn’t always been elevated to a fine art status. In recent years, both traditional and non-traditional methods and materials have been implemented, sometimes in combination with other artistic techniques, in order to create new and exciting works of art.

String Theory seeks to bring together works by Detroit and Metro Detroit Area fiber artists, in order to showcase some of the wide variety that this medium – which is so often pushing boundaries and trying new things – has to offer.

String Theory features works by:

Laura Beyer
Nicole Butler
Carolyn Catlos
Kelly Darke
Levon Kafafian
Liz Lewis
Sheila Palmer
Amanda Thatch

Wednesday, February 27, 2013

Communicating through art

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After reading Seth's Blog post, With A Sure Hand I began thinking again about how visual art is a way of showing something that you don't have words for; a feeling; a way of knowing something, and your choice of materials is part of your way of expressing it. I understand why artists (me included) sometimes have difficulty explaining their work.
embroidery work in progress


The embroidery work I am currently working on is a way for me to explore the feeling of comfort that I get from textiles - the feel, the texture, the lines, and the process of creating a fiber piece. I am working on a variety of pieces and with some of them I am using minimal colors with lots of texture created with repetition of the same stitch. I am also using vintage cotton and new natural cotton washed to be softer. I am hoping that the feeling of comfort that I get from the process and materials translates to a feeling of comfort for the viewer.
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